From Sontag’s Regarding The Pain of Others


What to do with such knowledge as photographs bring of faraway suffering? People are often unable to take in the sufferings of those close to them.  […]   For all the voyeuristic lure—and the possible satisfaction of knowing, This is not happneing to me, I’m not ill, I’m not dying, I’m not trapped in a war—it seems normal for people to fend off thinking about the ordeals of others, even others with whom it would be easy to identify.  […]

Susan Sontag

People can turn off not just because a steady diet of images of violence has made them indifferent but because they are afraid.  As everyone has observed, there is a mounting level of acceptable violence and sadism in mass culture: fims, television, comics, computer games.  Imagery that would have had an audience cringing and recoiling in disgust forty years ago is watched without so much as a blink by every teenager in the multiplex.  Indeed, mayhem is entertaining rather than shocking to many people in most modern cultures.  […]

Compassion is an unstable emotion.  It needs to be translated into action, or it withers. [Italics mine.]  The question is what to do with the feelings that have been aroused, the knowledge that has been communicated.  If one feels that there is nothing “we” can do—but who is that “we”?—and nothing “they can do either—and who are “they”?—then one starts to get bored, cynical, apathetic.  […]

The imaginary proximity to the suffering inflicted on others that is granted by images suggests a link between the far-away sufferers—seen close-up on the television screen—and the privileged viewer that is simply untrue, that is yet one more mystification of our real relations to power. [Italics mine.]

So far as we feel sympathy, we feel we are not accomplices to what caused the suffering.  Our sympathy proclaims our innocence as well as our impotence.  To that extent, it can be (for all our good intentions) an impertinent—if not an inappropriate—response.  To set aside the sympathy we extend to others beset by war and murderous politics for a reflection on how our privileges are located on the same map as their suffering, and may—in ways we might prefer not to imagine—be linked to their suffering, as the wealth of some may imply the destitution of others, is a task for which the painful, stirring images supply only an initial spark.

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Gardener’s Diary


It’s been a very dry hot summer here. Fortunately, early August has suddenly gotten about 10 degrees cooler. Our garden looks green only because we’ve been watering the hell out of it (literally) every day for nearly 2 months.  (It’s felt like actual hell at times.  It’s been hot enough for the infernal regions, at any rate.)

I’ve learned how exhausting a mother’s role can be. We’re suckling (sometimes by hand), nearly every tree, shrub, perennial and annual in the garden.  Only the cactus, the agaves, and the yuccas don’t seem to really need us. They’re very independent.

The prolonged heat and drought have also confused many of our horticultural progeny. The crape myrtles started blooming on July 5, nearly a month ahead of their usual start date. Our Franklinia altamahas (clearly suffering from water stress) started blooming 2 weeks ago.  They normally flower in late August and early September. And, our fall-blossoming anemones have already sent up multiple buds on stalks, though they haven’t opened quite yet.  But they will, in another week or two.  Global warming seems real to me.

Pink Mandevilla (early August)

A ruby-throated hummingbird (a relatively dull female) appeared earlier this afternoon. But she wasn’t feeding from our new bright-red feeder or the aptly named scarlet-colored cardinal flowers nearby.  (Hummingbirds are supposed to prefer the color red.)

Instead, she seemed intent on extracting the remaining nectar from the club-like heads of the nearly spent purple liatris blooming some distance away from our living-room window.

On the black cherry at the back of our property, I can see a male Baltimore oriole (more yellowish than orange) perched on a branch.  He’s bathing in the shower from an oscillating sprinkler whose fan of water shoots high enough to reach him.

He’s so brilliant and gaudy, he seems painted.  He’s fluffed all his feathers out to catch more water and bring it next to his skin.  It makes him very disheveled, as if he’d gone to the Easter Parade in his p.j.’s rather his formal holiday attire.

I’m pretty sure we saw the same male about a month ago.  Baltimore orioles are rare enough here that it seems unlikely there are many others about.

The hummingbird and the oriole feel like little gifts, little rewards for a lot of hard work.  Of course, they’re not.  They’re just “doing their own thing,” leading the fluttering, feathery bird’s life without reference to us or our feelings.  But still, I’ll take them as gifts, anyway.  It’s why you garden in the first place.

Encountering a brief sniff of the sexy perfume of the asiatic lilies out front; the fuschia flowerlets of our new sage, the tiger swallowtails flittering excitedly over the pink racemes of the veronicas—these are the art-for-art’s sake which make the effort worth the effort.

I love to run my fingers along the smooth, tender, tapered, magenta stems of the Blue Hawaiian elephant ears in the pot a few feet away from me.  It’s like touching the skin of a strange, wonderful, red baby.

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Longest-Lived Live Oak (in North Carolina)


Quercus virginiana

North Carolina State Champion Live Oak (whatever that means)

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From Sontag’s Regarding The Pain of Others


Susan Sontag

To speak of reality becoming a spectacle is a breathtaking provincialism.  It universalizes the viewing habits of a small, educated population living in the rich part of the world, where news has been converted into entertainment—that mature style of viewing which is a prime acquisition of “the modern,” and a prerequisite for dismantling traditional forms of party-based politics that offer real disagreement and debate It assumes that everyone is a spectator.  It suggests, perversely, unseriously, that there is no real suffering in the world.  But it is absurd to identify the world with those zones in the well-off countries where people have the dubious privilege of being spectators, or of declining to be spectators, of other people’s pain, just as it is absurd to generalize about the ability to respond to the sufferings of others on the basis of the mind-set of those consumers of news who know nothing at first hand about war and massive injustice and terror.  There are hundreds of millions of television watchers who are far from inured to what they see on television.  The do not have the luxury of patronizing reality.

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Just After Sunfall, Late July, Great South Bay


Fire Island

Great South Bay Sunset (The Pines)

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